these texts are an archive of my life in the San Francisco Bay Area from march 2007 - march 2015. it stands as a record of close to a decade of my life, charting the struggles i faced as an artist, daughter, and lover. messy and chaotic at times, eloquent and poetic at others, these texts are an index i am proud of. it was here in this electric box that i learned how to be honest about my experiences and the person i needed to become. it was here that i first learned the truism that words make the world and how to trust such a beautiful, rife, hard fact.

thank you for meeting me here in such tall grass.


my artist website is here.
Showing posts with label past. Show all posts
Showing posts with label past. Show all posts

Apr 23, 2009

in fog...

i put on my grey dress and we walked through the vineyard fog. the poppies still sleeping, but strange, wakeful birds clicked in the tall trees. i brought the fog home with me, cloaked these daughters in it, and remembered my long lost sunday dresses...

my sister and i posed together
in simple frocks our mother made-
up all night at her sewing machine,
without our father
and brother,
without without without...

but we make progress here...


sunday 3 (sheep in fog)- in progress shot
30" x 40"
oil on canvas


number three in this strange series. these two sisters appearing on there own... unexpected. in my work, two girls have always signals me and my sister, and this painting in particular makes me miss her company more than i usually do- that strange tie that keeps us, makes us. we are very different girls but not separate in the least, standing close to keep the secrets from spilling out, to keep from feeling afraid, and the only time in my life i was not afraid of the dark was when we were young and small and shared a room, sleeping safe in bunk beds...

and now these weird years when a person begins to look back, picking through memories and wondering if those times were real or dreamed, and the last line of a plath poems flashes in the brush and the canvas finds its name before it finds its finish...



SHEEP IN FOG


The hills step off into whiteness.
People or stars
Regard me sadly, I disappoint them.

The train leaves a line of breath.
O slow
Horse the colour of rust,

Hooves, dolorous bells-
All morning the
Morning has been blackening,

A flower left out.
My bones hold a stillness, the far
Fields melt my heart.

They threaten
To let me through to a heaven
Starless and fatherless, a dark water.





-Sylvia Plath
from Ariel

Apr 6, 2009

re-visiting...

sometimes it helps to go back to the beginning... when you were naive and didn't know it. there was something special in those days, in that approach. something valuable and worth reaching back to.

i brought an older painting of mine back in to the studio to keep me company and remind me to slow down- to pay attention, to approach the canvas with a greater sense of wonder, to not kid myself that i've got an unbreakable handle on this whole painting thing and to explore...



roman 1
10" x 10"
oil on canvas, 2006

when i made this painting, i moved hesitantly yes, but there was also a level of fearlessness because i knew the greater possibility was that i'd screw up. i felt no pressure to aspire to anything other than learning. and the goal of learning should never leave an artist of any kind.

with this little boy hanging on the wall next to my 'in-progress' canvasses, i am moving slowly today; thoughtfully... appreciatively. and reminding myself also that...


nathan coley

...just hard work and a refusal to stop trying.