these texts are an archive of my life in the San Francisco Bay Area from march 2007 - march 2015. it stands as a record of close to a decade of my life, charting the struggles i faced as an artist, daughter, and lover. messy and chaotic at times, eloquent and poetic at others, these texts are an index i am proud of. it was here in this electric box that i learned how to be honest about my experiences and the person i needed to become. it was here that i first learned the truism that words make the world and how to trust such a beautiful, rife, hard fact.

thank you for meeting me here in such tall grass.


my artist website is here.
Showing posts with label required reading. Show all posts
Showing posts with label required reading. Show all posts

Mar 24, 2014

in bed with kate and all my memories of When...

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recovering today with kate.  my back hurts.  i am spending the day in bed.

it's good to finally be reading this book.  i've been a bad friend in that regard...  we artists are supposed to stick together.  but i've been a bad artist lately too.  i bounce in and out of enthusiasm, in and out of my once-unshakable integrity and devotion.  maybe i've just needed a bit of a break?  maybe i am, once more, in the wool-gathering time...

today, i return to a previous self.  maybe the pain is good for me.  as a result, i am caged (beautifully so) in my new grey sheets, in my new bed, in my new room at the front of the house.  last week, i upgraded.  i jumped from renting the smallest room in the house to the largest.  private bathroom and all.  this aspect alone makes it feel as if i suddenly live by myself save for the occasions when i hear a roommate drop a dish in the sink.  it is beyond nice. i can stretch out again.  i am no longer cramped.  my books no longer crowd me, dominate the room.  i enjoy the light that spills in to my room each morning from the window above my bed.  i wake up feeling free.  i wake up feeling grateful.

even today.  despite this pain.  a day in bed should rectify this ache.  tomorrow will be better.  tomorrow i should be back on my feet.  but until then, let me languish in this strange variety of luxury.  though i am in pain, it is fantastic to be able to spend the day in bed with a book.  especially Kate's book.  i think back to that weird, wonderful era when we communicated across the electric blue line of the internet in the comment boxes of each others' blogs.  so many of us, us girls and women trying to say something about our lives and find a site of understanding...  having to fashion our own nests out of words and sadness and the light of a computer screen...  i lived for my blog in those days, and i lived for hers, and i lived for rebecca's.  i was obsessed.  pleasantly obsessed.  i was so miserable in my daily physical reality, then: trapped in the deadening silence of little Calistoga, in the deadening silence of a dead relationship.

it's hard to even talk about it.  not because it hurts but because it seems (and feels) like such an impossibility; a falsehood.  it feels like it never happened.  that wasn't me.  i was never that girl...  but i was.  i lived it.  and it feels just as much a lie now as it did then.  jose reminds me: "but you made so much good art there".  he's right.  i did.  but i have a hard time calling that a fair trade.  i have a hard time looking at my work and saying, "yeah...  that's a good consolation for what i went through".

i used to write everyday in this space.  

i wrote everyday in this space because i wanted desperately to have someone to talk to.  it is horrible to me that that was the impetus and i was in a relationship at the time.  

on page 24: "I am realizing you become a wife, despite the mutual attempt at an egalitarian partnership, once you agree to move for him."  

perhaps, i became a wife when i agreed to follow a man out to the California countryside, a place i had no desire to be, in order to feel some sense of safety...  for so many reasons.  so many hard, horrible reasons.  the collapse of my biological family being central to that decision.  and we were never officially married but everyone saw as as married anyway.  toward the end, i resented that.  as if my decision to remain unmarried didn't matter.  there were good reasons for remaining unmarried and it upset me that they weren't acknowledged...  and this Upset led me to look at myself and what i'd chosen to be a part of...  i helped keep those good reasons a secret: the lies we tell ourselves and the lies we tell each other and the lies we build together.  it's easy to allow oneself to become lost in the haze of desire.  especially the desire to be Right...  the desire to avoid the shame of being Wrong.  

perhaps i became a wife when i chose Silence.

perhaps i became a wife when i chose to endure Silence.

it horrified me when i'd hear women far older than i complaining about how their husbands never talked with them and how deeply i related to that deep pain.  the ignored wife.

years later, i lay in my own bed reading about the silencing of wives...  the necessity of a wife's silence.  i recall the years i offered up my own Silence as a benefit to the lives of the men around me.  my lover and my father and my step father... all the things i never spoke of because, in telling on them, i told on myself (or so i believed).  in telling the truth about my own circumstances, i somehow became a Judas.  i somehow betrayed my mother.  i somehow betrayed everyone by simply telling the truth about my own life and self.  the knots of silence that keep a girl in place.  the knots of shame that keep her poised and pretty and appreciated by everyone around her.  the prize of her silence.  the reward she receives is simply the absence of Shame. 

perhaps that's why i put so many words out in to the street now.

perhaps it's why i am so slow to trust men and so slow to trust the idea of family.  i need a new definition for these things...  a new understanding of what relationships can be and what they are for.  i am most comfortable and happiest in my independence.  and so i paint my nails lavender and turn the pages of a book.  i lay in bed, shopping on the internet, and choose to not feel guilty about any of it.  if i am silly, let me be silly. let me be what i actually am: a non-wife and a non-daughter.  i went down the other roads and it nearly destroyed me.  i am making my way out of silence. 

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Nov 26, 2012

beautiful day

i pulled on the shiny black pants i bought in new york.  i pulled a sweater over my head that i made at the beginning of this year and have never worn.  i stuck little pins in it. one that says R. MUTT and one that says I WILL CRUSH YOU. then, i went walking in the dark and in the cold.  it lit up my lungs and skin.  i feel a bit lighter in spite of myself, in spite of my arrogant pins.

i indulged in some much needed sweater-making time today.  i sipped coffee and wrote.  and last night after my last blog post i stayed up til 2am reading The Maids by Genet.  i truly love that man's work.  i love his ecstatic, passionate engagement with language.  after i get further along in german, i'll dive in to french so that i can read his work in its original form.  but The Maids...  it is a dark, seething play.  it spews the hatred that the poor of this earth often feel.  it tells of the insanity that can grow from humiliation and degradation.  it tells of the insanity that can grow from envy and subjugation.  it tells of the insanity that two sisters can grow together if left alone together too long in too hard a world.  it tells of the insanity we can encourage in each other when we stroke dangerous desires; the dire longing that reduces one to a state of abjection.  or maybe it isn't insanity at all?  i remember feeling the same way when i was very young and growing up poor.  i remember feeling so much less than everyone else.  my cousins and my classmates.  our society encourages it.  it's always been the case that we associate beauty with wealth.  to be poor is to be ugly.  to be poor is to be lazy and stupid.  to be poor is to be lesser.  or so the lesson goes.  it took many years to root that lesson out.  nevertheless, reading The Maids last night i could identify with that hard longing to be seen as an equal, to be valued for something more substantial than what clothes rest on my back.  and the language of the play is absolutely stunning.  cutting.  Genet is as masterful at sarcasm as he is at poetics.  i'm happy i stayed up late last night and read it.  i'm happy i stayed up late last night and read!  i plan to do the same tonight.

i went walking in the cold because i needed to buy a new notebook.  one more notebook filled and one more to go (at least) before the end of the year finds me.  i can't believe winter is already here.  wasn't it just yesterday that i was braving these winds?  did summer and fall already rush by? god, it's all been such a rush of image and breath and dance.  such a flood of music and alcohol and laughter.  i'm glad i took the time to write so much of it down.

i am so lucky to have crossed your path. 


Jan 22, 2011

comfort

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"The same thing which makes Henry indestructible is what makes me indestructible. The core of us is an artist, a writer. And it is our work, by our work, that we reassemble the fragments, re-create wholeness."

The Diary of Anais Nin, page 69



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Jan 4, 2011

auto-

finally, the sun comes out. freezing cold but at least there is light. and i am lightened as a result. in bed, drinking tea, reading all day below three thick quilts, finding myself in the lines of another. first, Good Morning, Midnight and now Voyage in the Dark...





the ease of her speech jabs me in the heart, calls me home. there is something to it, this simplicity (that is anything but simple) that corrals the wild sparks of the Past, lines them up, arranges them by height, finally making sense (or at least a site of understanding) of the life that has found me.

Dec 29, 2010

required reading

i am making a shepard's pie and, after i stuff myself full of said deliciousness, i am going to lay down with my notebook and my beautiful Jean Genet. i am going to write and read and write and read until i fall asleep. and oh, what a perfect diamond this man is! i must get a copy of Wojnarowicz's autobiography as a follow up. these men, born in to tragedy, who led tragic lives but managed to create an avenue of transcendence, a way to take the shit of life and mold it in to such an uncommon Beauty. i'm grateful for them. i'm grateful for their sensitivity and tenacity and ferocity. i'm grateful for all the writers in my life. endlessly so. more and more and more.

Sep 21, 2010

connecting

last night i finished reading The Passport by Herta Muller and then immediately started reading The North China Lover by Marguerite Duras. this is a lucky and perfect pairing of work. the forms involved! Muller's non-chapter way of writing, the whole work broken up in to fragments. tiny short stories with a title centered over-head. and the entire book worms this way. back and forth between the present, memories. persistent memories. and sorrow. sorrow so deep, so confusing, reality bends. a clock on the wall becoming an evil portent. delicious writing. all the more delicious due to her use of simple words. fragmented sentences that make your breath irregular. and then Duras. lovely, aching Duras. no chapters here either. just spaces in the page. and some paragraphs are written in poetry forms rather than paragraphs of prose. back and forth, winding through tempos, such perfect companions. i'm on page 72.

this morning is cold. i have a cup of english breakfast tea with nothing in it. but it is hot, naturally sweet, a beautiful and simple taste. completely different than coffee. and an unforeseen welcome change in my morning routine.

yesterday, i crocheted almost all day long. there is something about the soft black of yarn paired with the soft black of graphite that has caught my heart. it has my complete attention. and maybe the action of these modes of making too- one mark at a time: drawing. one stitch at a time: crochet. some sort of very personal, very intimate mapping. and although the textile work hides the "hand" of the maker, the anonymity of the stitches seems poignant to me. when i hang a drawing next to one of the crochet pieces, a very beautiful dialogue erupts. something unexpected and i feel so compelled by it. not only to follow this route, but as a looker. when i look at the work, i feel compelled to keep looking at it. there is a mystery in it maybe. or some type of honest land being built. or navigated through. and this is a wonderful feeling. it feels like finally telling the truth. like letting go of an old, hard secret.

a few days ago i was driving and decided to listen to Post by Bjork. i hadn't listened to it in years and it used to be one of my favorite cds. i popped it in the cd player and turned the volume up loud. music has become important to me again. out of nowhere. for a long time, music stopped being important to me and i felt very sad - almost ashamed - of that fact. and it was also a Loss. music was my very first love as a child. music and words. i found opportunities to sing in secret every chance i could. singing- a safe room. and song 2 on the disk began. it had always made tears well up in my eyes and make my throat tighten. something about this song had always called up a swell of deep emotion. so deep, i have no clue the origin. and it happened again, like no time had passed. i steered the car with tears in my eyes and a runny nose. i didn't try to stop myself. i let the song reach in and pull out whatever it wanted to. and when the song ended and the next began, i felt wide open and unafraid of the world.

then i thought the line that calls up all that emotion is my most perfect artist statement:

i go through all this
before you wake up
so i can feel happier,
to be safe up here with you.


play it loud. this is the song:







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Sep 13, 2010

BURN, BABY, BURN!

i spent next to no time online this weekend. i holed up with books and papers and pencils instead. phone calls from old friends and lots of soul-searching, excavating existentialism. ha! i read Helaine Posner's long and beautiful essay on the work of Kiki Smith and rolled around in the ideas of Trust it contains. very much a "believe in yourself and trust the work" refrain. and then saturday, my birthday present arrived. while we were at the grocery store, the mail lady dropped off a big fat book at our door that jared had ordered for me. the huge Henry Darger book by Klaus Biesenbach. and so i spent the bulk of saturday afternoon and evening looking at the absolutely gorgeous reproductions of Darger's work, getting absolutely lost in the drive his work materializes- absolute faith in "the call"... the answering of that call, the reward. last night, i finally started reading the text of the book and am anxious to get back to it. and in between all this, tons of drawing. tons. i burned through so many pencils this weekend and will soon be left with only the stubs. which i'm saving for something a la Arman:





:) i've always admired his accumulations.

and this morning: i obeyed the MIGHTY RUN - 3.5 miles - came home, ate fruit and greek yogurt, read Malevich's treatise on Suprematism (which i will have to read again and again until it sinks in deep and i understand well enough to agree with half and dispute the other half), and have already gotten a good hour of drawing under my belt. this is a fantastic start to the new week. and most welcome after last week's recurrent disillusionment and deflated attribute. oh, the joys of the artist ego! FRAILTY! ha! but i have resurfaced and am thinking a lot about my own values and ideas... finding ways to keep the fire stoked and high. it is all about maintaining one's own passionate commitment to this thing. answering the call is the reward.

every single day, i must find a way to answer it.

my twisty education has lit back up.

Jul 27, 2010

try

yesterday i started writing at 7am and didn't knock off til after 3 in the afternoon, completely worn out. at one point, writing a childhood memory, my eyes welled up with tears. the only thing that stopped me from crying was the need to keep banging my fingers down on the keys. the click click click of the act. and once it was done, i felt like i was in a trance- not really seeing anything or thinking anything. hypnotized. half asleep. limbo.

then i made dinner, relaxed with my sweetheart, and we both climbed in to bed a bit early to read. i finished the 2nd volume of Persepolis. i am amazed by Marjane Satrapi. amazed. this chronicle of her life is just astounding. not just the events these books contain, but her knack as a writer to tell an entire story with such few words! the comic form doesn't lend itself to wordy writing. it is so paired down! efficient. i'm way at the opposite end of that spectrum! ha! and the books, from start to finish, are just gorgeous and heart breaking and important. also, i continue to be amazed by writers who aren't afraid to use their own life story to produce an artwork. especially an artwork whose basic material is language. such exposure! such a brave, compelling act. seriously. this is definitely Required Reading. in fact, this should be required reading in high school. it really should be. it would make the world a better place if it were. no joke.

and in the pages of her story, a truism was presented; one that i've been thinking myself lately. "one must educate oneself". coming across this statement within the text shook me hard. it is the exact right answer, coming at the exact right moment, a moment when it is absolutely needed.

i must read. i must study. i must TRY. and i have to, simply, just keep doing what i've been doing- writing, reading, drawing, painting. all in a big loop. a huge web. my constellation.

keep plugging away.

i have plenty of coffee and paper.

Apr 2, 2010

good morning, all my loves!

i stayed up so late last night! so late that when the alarm went off at 5 i didn't even hear it. and when my sweetie tried to rouse me 45 minutes later, i sat up, looked at him, and my sight was shaky- something that used to happen to me during my last semester in school when life was GO GO GO and sleep was a rare gift. so i grumbled "one more hour" and laid back down and slept for 3. ha!

i went out to the city last night for one of my friend's openings. the show was gorgeous and i was so inspired and happy to be there. and i lost track of time laughing with people and meeting new people and, before i knew it, it was 10:45 and i still had an hour and a half drive back home, out here to my little spot in the countryside. but i had a fantastic time. it was one of those nights where it's so hard to pull back on the reigns and detach from the happiness at hand. amazing. well worth being tired. well worth the snag in my "schedule". ha! besides... it's friday and drizzling and i've already given myself permission to say the weekend has arrived. :)

lately, i've been spending my weekends with my nose jammed in a book and it has been such a gorgeous experience. i count myself incredibly lucky to have been exposed to the work of such amazing and skilled writers. and reading is so integral to my practice. such a necessity. this huge influx of ideas is my favorite environment- tall grass to roll in, warm and without judgement. and taking in all these words, all these images and metaphors and philosophies and theories and poems and gestures is so much like drinking hot chocolate with whipped cream on top. so comforting and safe. it's an experience in which i feel completely myself, completely at home. i hope the used books i ordered from amazon show up in my mail box today. especially "A Lover's Discourse" by Mr. Wonderful, Roland Barthes, my love. swoon swoon.

and of course, our big built-in excuse to be BIG FAT POETRY NERDS! YAY!!!!!

yesterday, after posting the first poem of the month by the untouchable Sharon Olds, i got in a wonderful email exchange with Jeff Callico about her work- how forceful and hard and gorgeous it is, and how, like Bukowski, she doesn't mess around with metaphor... she wanders the autobiographical and presents the shit, the mess, the joy, the jumble of living. and it made me want to read all her books all over again. to dive in to these black lines and float there on the rim of her life, the memories that crawl back and back again, that twist the present, that caress or corrupt a day.

so let us hold on to her black rope again. a double shot. she is worth it. and she is required reading, for sure.

a poem for Good Friday. ;)




The Pope's Penis




It hangs deep in his robes, a delicate
clapper at the center of a bell.
It moves when he moves, a ghostly fish in a
halo of silver seaweed, the hair
swaying in the dark and the heat- and at night,
while his eyes sleep, it stands up
in praise of God.





(from The Gold Cell)