these texts are an archive of my life in the San Francisco Bay Area from march 2007 - march 2015. it stands as a record of close to a decade of my life, charting the struggles i faced as an artist, daughter, and lover. messy and chaotic at times, eloquent and poetic at others, these texts are an index i am proud of. it was here in this electric box that i learned how to be honest about my experiences and the person i needed to become. it was here that i first learned the truism that words make the world and how to trust such a beautiful, rife, hard fact.

thank you for meeting me here in such tall grass.

my artist website is here.

Sep 24, 2010


i have to start doing the paperwork end of being an artist soon. artist statements and letters of intent, that whole bit. it never gets any easier. as the work changes, the statement changes. and cutting it all down to 2 paragraphs is hard. i wish artist statements could be these sweet little chapbooks where i could just sort of ramble about all the stuff i care about. kinda like i do on this blog. :) it'd make writing an artist statement sooooo much easier.

but i must reign myself in and do it. there are a few things on the horizon that i'd absolutely love to be a part of. and though the deadlines are still a few months away, i'd like to get going on it now. months are short. time moves faster and faster. and so i've brought all the little icons of current work out on to my computer desktop where i shuffle them all around in to different collections, trying to see what gels, what works best. for a while i had all the paintings together and all the drawings together and did not mix and match them. but, as a Looker, i think mixing up the media is way more interesting that just ALL paintings or ALL drawings. unless that's ALL you do. and since i work in a couple different medias, i think it's best to let my portfolio represent that somehow. to let the work be married by concept rather than what it's made with. it's a good way to play with building a brand new portfolio.

and the portfolio is the most important part. it always will be. when i'm feeling down about how far i have to go or when i start feeling shaky about what i'm capable of, i go back to the portfolio job. it is king. and if it shines, you shine. it will always come back to the work. and the more i look at the way crochet paired with drawings function, the dialogue that is created, i am so fascinated and compelled by it. and paintings paired with textile work. it's amazing. and such wonderful conversations begin to happen between the pieces. it just feels good. it feels relevant.

so... keep playing, keep shuffling it all around. and keep working. i'm letting one idea bleed in to another, birth new ideas and directions and just not question it. just follow the impulse and don't look back too often. it's been good.

i have a ton of work that i haven't posted here yet. i guess i needed to keep it to myself for awhile. i still do. in the beginning of this blog, i posted every single painting i made that was even slightly good. and i want to be more thoughtful than that now. let the work sit. let me sit with it. see if it's an image i want floating around in the world. if it's an image that needs to be in the world. because a lot of what we do as artists is process work. work that you do in order to get to a new place. catharsis. and that work doesn't always need to be put on display i'm realizing. some of it should be allowed to live a quiet life behind the scenes. just like the scribblings in my diary. plus, i want there to be a few surprises when i start showing again. :) and i'm thinking sooner is better than later in regards to that. i think i should find a way to jump back in to the mix here pretty soon. it's been a month since i stopped showing, but i'm creeping up quickly on the end of 2 new bodies of work and a 3rd is well under way. that's a lot of work i'm storing. i need to get my confidence up, chew my finger nails, and push a few portfolios out the door. find the people in the world who adore that lovely black graphite as much as i do, reach out, and say hello.

today, i'll paint and see where i go. the work itself is pretty good at pointing out the road that feels true and best.


Radish King said...



angela simione said...


but your recent success in the matter has encouraged me to quit being such a dick about it and just wrestle with the awfulness of it. and that's a good thing. hats off to YOU, sweet girl!

Elisabeth said...

There's always a down side to all creative endeavours. But you need to find ways to promote our work and clearly this is one of them. Keep at it, Angela.

angela simione said...

thanks, elisabeth. i will keep chasing after all these things. it's hard work but that's as it should be. i remind myself of that old saying: if it came in a bottle, everyone would have it. :)