the facts

i've been a good girl since last october when the diagnosis came. resisted the urge to go online and freak myself out by reading the research available about pancreatic cancer.

but i've stopped being a good girl. it's a member of my immediate family. i am reading it. i know what the statistics are.

relatives have been calling, getting in touch through Facebook, reaching out to me and my siblings.

based on what i've read, surviving this since october is, itself, a miracle.

i am so grateful for that.

and also, for as hard and painful and scary as this whole thing is, i'm grateful for being forced to look at mortality close-up, in a new way- a way that is biological, not theoretical. it's easy to expound upon the horrors of the world from a safe distance. theories show their holes when you get up-close and personal. the importance of love and hope starts to shimmer. the shimmer builds in to a beautiful shine. we begin to twinkle in our moments together. we begin to feel thankful. certain histories finally find a resting place.

other histories don't. beasts i thought had been conquered, or at least put in to a deep, unbreakable hibernation, have come slinking out of their caves. the beasts awaken. writhe. scream. blood in their mouths and caked to the claw.

i feel lost some days. i spend a lot of time feeling afraid of the world but, somehow, still loving it. somehow, still wanting to help. somehow, not sarcastic. still... this weighty fear. fear that i will make the wrong decision, the wrong turn, waste my time, waste the time of others, and staring with my gaping O of a mouth at how horribly short Time is.

all i can think some days is hurry hurry, get the paintings out so she can see them. so she can see i accomplished something. so she can be proud of me.

there are lots of mornings when i want to ignore the alarm clock. i hear it and think what's the fucking point? plenty of mornings where i wake up feeling so stunted and small, just like a little girl. floundering and frail and just so bent up by fear. the dark. no night-light. no angels. no open door. there are mornings i wake up crying.

i reach for my notebook. i reach for my pencils. i make drawings.

the amazing/odd thing about it, is that i'm doing the best work i've ever done. at least that's the way it looks to my eye. somehow this fear has armed me with an unexpected drive to push the work further, go deeper, take chances, be brave in a way i hadn't yet learned to do.

there is a lot of anger in it. there is a lot of sadness. but i think there's also a lot of hope.

it's the hope that lives in these pieces that are the most important part. it is the portion of the work that i am most proud of. it is the site i try to lay down in. i live so far away from her.

since the beginning it seems, our little family has been a magnet for tragedy. i know we're not exceptional in that. tragedy is not as rare as people like to believe it is. nevertheless, the division and splintering and unfixable things that have resulted are really hard to look at some days.

the divorce. the swimming accident. my father. ambulances. hospitals. halo bolted to skull. poverty. ugliness. abuses. falling in with a bad crowd. bad mean boyfriend. scary situations. and then the work of repairing one's mind, one's broken heart, one's dream of life. and now cancer. now chemo.

these are the things i'm writing about in The Letter- the 9,000 words that have been typed out and are morphing in to something else. i have no clue what yet but it just keeps on pouring pouring pouring on days when i'm strong enough to be a vehicle for it.

this is the well that all the new work is rising from.

and the new work brings me closer to the kind of artist i want to be. the kind of human i want to be. to find a way to create some sort of beneficial, hopeful thing out of all this. but it also leads me away from certain ideas, certain places. it has to. it's unavoidable. the lineage has become clearer.

it's time to take certain risks.

it's scary and sad and overwhelming, but it's also a very positive action. ask any baby bird about the terror of the free fall when they are first urged out of the nest. that's the stage i'm in. it is a necessary stage.

because if i say i mean it and i say i believe in the power and worth of art and i say art saves lives, then i am charged to follow a particular road. a road that has all sorts of barricades across it and all sorts of pitfalls and potholes, a road that has no caution signs, a road that will be dark and lonely at times. but i must follow it. i must. i have to try to be brave. and so i cut away my safety net, in spite of all the things that are going on within my family... or maybe because of them. maybe it is because i see how short and uncertain a single life is. how full of opportunity, how full of chance, how full of the inexplicable...

i've asked to be released from my contract. the gallery agrees it is time. it is sad for both of us even though it is best for both of us. we've been building toward this moment for a year. it's time for this baby bird to jump. it's good to have support in this. it's good to find myself in the position to take a good hard look at my work and the kind of artist i am. this is an opportunity for me to get very specific about my goals as an artist, to work and struggle as hard as i can. i'm lucky to have so much encouragement from the people in my life. i'm lucky for the open door that remains. i'm lucky to have the friendship and support i've received. i'm very lucky.

and mostly, lucky to have art in my life. this outlet. this desire to make maps out of all these things. maps and poems and portraits. documents of hope. documents of desire. documents of my passage through this world. i am not joking when i say ART SAVES LIVES. it does. it has saved mine, over and over again, since the very beginning. and i am blessed.

i am very very very blessed.