these texts are an archive of my life in the San Francisco Bay Area from march 2007 - march 2015. it stands as a record of close to a decade of my life, charting the struggles i faced as an artist, daughter, and lover. messy and chaotic at times, eloquent and poetic at others, these texts are an index i am proud of. it was here in this electric box that i learned how to be honest about my experiences and the person i needed to become. it was here that i first learned the truism that words make the world and how to trust such a beautiful, rife, hard fact.

thank you for meeting me here in such tall grass.


my artist website is here.

Mar 20, 2009

the banner project moves forward...


detail

i started this project during my senior year in college when i slipped one of the disks in my back (twice) and was laid up, flat on my back, for a solid month: no walking, no painting, nothing. but, in my prescribed vicodan stupor, i was more than able to lay back on the couch and twist yarn.

everybody at school loved these and, though i think of them as banners to be hung on the wall (big ol' L.E.D. signs), a great many people ohhed and ahhed at the prospect of wearing them. i'm still not sure how i feel about that... i mean, these guys take an awfully long time to make.

anyway, a few weeks back when i was getting completely depressed by the onslaught of dreary, grey, rainy, winter days, i picked the project back up. i had been reading sylvia plath's Ariel, again (HA!), and was totally taken in by the last line of her poem Sheep in Fog:

"Starless and fatherless, a dark water."

yes, yes, yes... that's me too.

i had originally planned to embroider the entire sentence on the banner but i got stuck on that word 'fatherless'. such an odd word, rarely heard, and entirely, intensely sad. autobiographical in more ways than one...



fatherless
6" x 74"
crochet
angela simione, 2009


it's realized in the bastard stitch, my favorite stitch, also known as the afghan stitch- a cross between crocheting and knitting- and another fine level of conceptualism. :) the reverse is completely backed so that the beauty of the stitch itself can be fully appreciated and adored. my sweetie thinks i should sell these but i honestly have no clue what i'd even charge for something like this. it takes a super diligent week and a half to make just one.

p.s. that's my big, green backyard. :)

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